Loa được tích hợp sử dụng công nghệ chống nước IPX2 có khả năng tránh những giọt nước khi thiết bị nghiêng tối đa 15 độ so với vị trí ban đầu. However, for music lovers on the smaller side this is still a fairly hefty weight to be carrying around for any length of time, at a festival for example.

As mentioned, using the treble and bass dials to manipulate the sound adds an authentic rock n roll feel to the listening experience, and they’re useful if you find the bass a little heavy for your liking – even so, we found the audio quality was at its best when both dials were set to the middle. Placing the speaker in the middle of the table doesn’t matter where you are, you’re going to hear some form of music. This means that everybody can benefit from true play tuning on the speaker rather than just people who have an Apple device.

From its muted colour to its buckle-less carrying strap, the Kilburn II is stylish without being overly lavish – more punk rock than hair metal. The new ‘multi-host’ function lets you easily connect and switch between two Bluetooth devices, which means you and a friend can take turns playing DJ.

For those who love the look of their Marshall amps, it’s a chance to own a portable Bluetooth speaker that can sit beside their guitar. The drums on this track can sound thunderous on bass-forward systems, but here they sound restrained. com and PC Magazine are among the federally registered trademarks of Ziff Davis and may not be used by third parties without explicit permission. The good news is that it can deliver some serious power for its size, and adjustable bass and treble knobs allow you to alter its sound signature to suit your tastes.Quite surprising as not many Bluetooth speakers hit this, you could hear little details nuances and breaths from the vocalist quite clearly actually. As always, we recommend dialing both knobs back to the middle (if you choose to use them at all) and adjusting to taste from there. While we were impressed by the liveliness of the Tufton’s presentation, the mid frequencies were sometimes lost amongst the treble and bass; we’d ideally like to hear more of the sweeping strings that underpin the attacking rap vocals in the above track.